"What’s with the bamboo stick? Matisse’s late drawing practice"
French critic, curator, and art historian Yve-Alain Bois, Institute for Advanced Study, Princeton, will present his recent research on Henri Matisse’s adoption of the bamboo stick to draw his late stations of the cross.
Presented by the Edith O’Donnell Institute for Art History at the University of Texas at Dallas
Open to the public. FREE Admission. RSVP to email@example.com
Yve-Alain Bois Biography
Yve-Alain Bois is Professor of Art History in the School of Historical Studies at the Institute for Advanced Study in Princeton. He has written extensively on 20th century art, from Matisse and Picasso, Mondrian and Lissitzky to post-war American art. A collection of his essays, Painting as Model, has been published by M.I.T. Press in 1990. With Benjamin Buchloh, Hal Foster, and Rosalind Krauss, he co-authored Art Since 1900 (Thames and Hudson, 2004). He co-organized the 1994-5 retrospective of Piet Mondrian in The Hague, Washington and New York. In 1996, he curated the exhibition “L’informe, mode d’emploi” with Rosalind Krauss at the Centre Georges Pompidou in Paris. The book accompanying this exhibition has been published in English under the title Formless: A User’s Guide (Zone Books, 1997). Other exhibitions that he curated include "Matisse and Picasso: A Gentle Rivalry" at the Kimbell Museum of Art (Fort Worth), for which he also wrote the catalogue (Matisse and Picasso, Flammarion, 1998); “Ellsworth Kelly: Early Drawings” at the Fogg Art Museum (Cambridge, Mass), which traveled to five other venues in the US and Europe (March 1999-August 2000); “Ellsworth Kelly: Tablet,” at the Drawing Center, New York (May-June 2002); and “Picasso Harlequin” (October 2008-February 2009) at the Vittoriano in Rome. Bois is one of the editors of the journal October and a contributing editor of Artforum. Among other projects, he is currently working on the catalogue raisonné of Ellsworth Kelly’s paintings and sculpture, the first volume of which was published by Cahiers d’art (Paris) in 2015. He also edited the catalogue raisonné of Matisse’s paintings in the Barnes Foundation, published in 2015 by Thames and Hudson.