Each hour-long session will bring together major works from the rich collection of Light Cone, a French organization dedicated to the diffusion and conservation of experimental cinema, and contemporary productions from local and international artists.
Free admission with RSVP. Register for the entire series or for individual screenings below.
RSVP Register for the entire series of Ultra-seeing screenings.
Sunday, September 11 / 2 pm: Avant-Garde from the 1920s and 30s
RHYTHMUS 21 by Hans RICHTER (Germany) 1921-1923 / 16 mm / n&b / sil / 3' 19
SYMPHONIE DIAGONALE by Viking EGGELING (Germany) 1923-1924 / 16 mm / n&b / sil / 6' 40
LICHTSPIEL OPUS I by Walther RUTTMANN (Germany) 1921 / 16mm / coul / sound / 11'
ANÉMIC CINÉMA by Marcel DUCHAMP (France) 1925-1926 / 16 mm / n&b / sound / 7' 05
DISQUE 957 by Germaine DULAC (France) 1928 / 16 mm or DVD / n&b / sil / 6' 00
KREISE by Oskar FISCHINGER (Germany) 1933-1934 / 16 mm / coul / sound / 2' 00
RHYTHM IN LIGHT by Mary Ellen BUTE (USA) 1934 / video / n&b / sound / 5' 00
KOMPOSITION IN BLAU by Oskar FISCHINGER (Germany) 1935 / 16 mm / coul / sound / 4' 00
COLOUR BOX by Len LYE (UK) 1935 / 16mm / coul / sound / 4'
ALLEGRETTO by Oskar FISCHINGER (Germany) 1936-1943 / 16 mm / coul / sound / 2' 30
TARANTELLA by BUTE Mary Ellen & NEMETH Ted (USA) 1940 / video / coul / sound / 4' 51
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Sunday, October 9 / 2 pm: Michèle and Patrick Bokanowski
L'ANGE (RESTORED VERSION) by Patrick BOKANOWSKI (France) 1982 / DCP or 35 mm / color / sound / 70'
Tabou: Concrete Music by Michèle Bokanowski (France) 1983-1984
With filmmaker Patrick Bokanoswki and Michele Bokanowski in attendance.
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Sunday, November 13 / 2 pm: Structural Film
AXIOMATIC GRANULARITY by Paul SHARITS (USA) 1973 / 16 mm / coul / sound / 20'
LOOPLOOP by Patrick BERGERON / Video / Color / Sound / 5’
DRESDEN DYNAMO by Lis RHODES (UK) 1974 / 16 mm / color / sound / 5'
WATERCOLOR by Vincent GRENIER / Video / Color / 12’37”
EXTERIOR EXTENDED by Siegfried Alexander FRUHAUF / Video / B&W / 9’
POINT DE GAZE by Jodie MACK / 16mm / color / sound op 24 ips / 4’45”
SECOND HERMENEUTIC by Michael A. MORRIS (Dallas, TX) / 2013 / 16mm / 8’18” / distributed by the artist
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Sunday, December 11 / 2 pm: Musical Paradigm
ULTRAVIOLET by Anton GINZBURG (USA) 2015, Music by Michael Pisaro / Digital Video / Color / Sound / 25’
CONTRATHEMIS : COMPOSITION II by Dwinell GRANT (USA) 1941 / 16 mm / color / silent / 3' 00
COLOR SEQUENCE by Dwinnell GRANT (USA) 1943 / 16 mm / color / silent/ 2' 30
BERLIN HORSE by Malcolm LE GRICE (UK) 1970, Music by Brian Eno / 16 mm / color / sound / 9' 00
RYTHMES 76 by Jean-Michel BOUHOURS (France) 1977 / 16 mm / color / silent / 18'
R by Yann BEAUVAIS (France) 1975-1991 / 16 mm / Black&White / silent / 3' 00
TWO/2 by Peter Bo RAPPMUND (Dallas, TX) / 2008 / Video / Black&White / sound / 4’
RSVP Register for December 11 screening
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Sunday, January 8 / 2 pm: Music!
JAZZ OF LIGHTS by Ian HUGO (USA) 1954 / 16 mm / color / sound / 16' 00 Music by Louis and Bebe BARRON
DAYBREAK EXPRESS by D.A. PENNEBAKER 1953 / 16 mm / color / sound / 5' 00 Music by Duke ELLINGTON
TURN, TURN, TURN by Jud YALKUT (USA) 1965-1966 / 16 mm / color / sound / 10' Music by USCO
GIRAGLIA by Thierry VINCENS (France) 1968 / video / color / sound / 5' 30 Music by Pierre HENRY.
LANDSCAPE: TROMBONE QUARTET by Chaz UNDERRINER (USA) 2016
BLACK AND WHITE TRYPPS NUMBER THREE by Ben RUSSELL 2007 / 16 mm / color / sound / 11' 30 Music by Lightning Bolt
RSVP Register for January 8 screening
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Sunday, February 12 / 2 pm: Entendre ce que l’on voit
WORD MOVIE / FLUX FILM 29 by Paul SHARITS (USA) 1966 / 16 mm / color / sound / 4' 00
BLACK AND LIGHT by Pierre ROVERE (Canada/France) 1974 / 16 mm / b&w / sound / 7' 48
10 DRAWINGS by Steve FARRER (UK) 1976 / 16 mm / b&w / sound / 20' 00
NIGHT TRAIN by Guy SHERWIN (UK) 1979 / 16 mm / b&w / sound / 2' 00
MY MOVIE MELODIES by Jun'ichi OKUYAMA (Japan) 1980 / 16 mm / b&w / sound / 7' 00
CHLADNI SCHEME by P. MILLER (USA) 2009 / 16 mm / b&w / sound / 11'
BLUE FILM by Michael Morris (USA) 2015 / 16 mm / colour / sound / 6' 15
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Sunday, March 12 / 2 pm: Performance
TRENTO SYMPHONIA by FLATFORM (Italy) 2012-2014 / video / coul / son / 19' 25
ENGRAM OF RETURNING by Daïchi SAÏTO (Canada) 2015 / 35 mm / color / sound / 18' 30
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Sunday, April 30 / 2 pm: Synesthésie
FILM EXERCISE N°2-3 by James & John WHITNEY (USA) 1944 / 16 mm / coul / son / 4' 00
ARNULF RAINER by Peter KUBELKA (Austria) 1958-1960 / 16 mm or 35 mm / n&b / son / 6' 30
CHROMOPHONIE by Alexandre VITKINE (France) 1967 / 16 mm / coul / son / 7' 00
MATRIX III by John WHITNEY (USA) 1972 / 16 mm / coul / son / 11' 00
ALL OVER by Emmanuel LEFRANT (France) 2001 / 16 mm or Beta SP / color / sound / 7' 00
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Sunday, May 21 / 2 pm: The Mandala Pattern
COLOURS by collectif NOMINOË (France). Audio-Visual Installation for four16mm projectors and panoramic sound system
ALLURES by Jordan BELSON (USA). 1961 / 16 mm / color / sound / 7'
LAPIS by James WHITNEY (USA). 1963-1966 / 16 mm / color / sound / 10'
EASTER MORNING by Bruce CONNER (USA) Music: “In C” by Terry RILEY. Video / color / sound / 10’
#3 by Joost REKVELD. 1994 /16mm / color / silent / 4’
THEM APPLE by Adam LEVINE (UK)
Live performance by Martin BACK (USA)
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Partners
This series of monthly screenings is coordinated by Light Cone and the school of Arts, Technology, and Emerging Communication (ATEC) at UT Dallas with the support of the Cultural Service of the French Embassy in Houston.